ARCHIVE 004      
       
14.09.01      
Leonard Cohen's writing on the Wall:
"FIRST WE TAKE MANHATTAN..."

Leonard Cohens Schrift an der Wand:
"ERST NEHMEN WIR MANHATTAN..."
 
REFLECTIONS ON
LEONARD COHEN'S SONG LYRICS
 

 

"FIRST WE TAKE MANHATTAN..."

 

 

THE WRITING ON THE WALL

Picture: Christof Graf

   
     

"Poetry has traditionally been the locus for those
who have not been heard to speak..."
Source: http://www.worldofpoetry.org/usop/dream.htm

The great argument: is a poem inherently political? Or does a poem with political intent cease to be poem? become rhetoric? In "The American Dream," language becomes a weapon, a stiletto of meaning to pierce the nonsensical rhetoric of politics, to unmask the cynical grab of advertising. Here, naked but knowing, words demand. Poetry has traditionally been the locus for those who have not been heard to speak, but who's been listening? But what if the poem could be heard, what if the single voice were suddenly powerful, not as a literary conceit, but as an actual tool for building a new society, a tool for a new patriotism? Not as a speaker's corner for the powerless loyal opposition, but as creator and visionary. And if the poem becomes such a tool, wouldn't this obviate its imaginative power, its anti-utilitarian purpose as the site where one can go to to get away from the world's madness? Can we live in a poem? Can a poem change the world? Now comes the redefinition of our nation. Because the poets will not answer the questions, but ask them, and it is us, the readers, who are charged, not with the passivity that TV has seemed to engender, but with a new activism. Welcome to the land where words not only say what they mean, but where the poets mean what they say.

 



LISTEN TO THE SONG

Source:
http://home.datacomm.ch/fchris/seiten/mp3.html

Pride & Joy SRV solo acoustic from MTV's "Unplugged" 1990




     
     


This space provided for your thoughts and comments

Radiobridge@aol.com


24.09.01 03:08:24 (MEZ)
From: Charles_Bautista@abs.pinoycentral.com

We need not decipher Cohen's song below . You can already find hidden
messages in the hit song New York!NewYork!

>'New York, New York' - Frank Sinatra (1958)
>
>Start spreading the news, I'm leaving today ( the terrorists know the
media mileage they'll get for wreaking havoc in new york)
>I want to be a part of it - New York, New York (the terrorists literally
fused/melded their bodies with new york by crashing into the WTC )
>These vagabond shoes, are longing to stray ( these terrorists really
intended to rome around looking for a perfect place to crash their planes)
>Right through the very heart of it - New York, New York (unfortunately,
the had to choose New York)
>
>I want to wake up in a city, that doesn't sleep (it literally didn;t
sleep after the attacks)
>And find I'm king of the hill - top of the heap (heap of rubble)
>
>These little town blues, are melting away (the blues melted and gave way
to hate and terror in the hearts of the Americans)
>I'm gonna make a brand new start of it - in old New York (after the
destruction, a new beginning)
>If I can make it there, I'll make it anywhere ( if the the terrorists
can do it it new york, they can do it almost anywhere)
>It's up to you - New York, New York!


19.09.01 19:05:41 (MEZ)
From: senanews@hotmail.com (senanews hamza)
(Tanzania)
To: Radiobridge@aol.com
 

What are your ideas about the meaning of those lines?

===============================================================

THE LYRICS of Leonard Cohen's song is great because contained various 
meanings and one could even write abook about it.

But in principle had crystal clear summarized that "Politics is a dirty 
game."

The song indicates that there is danger in politics if opposition come from 
within the system than outside. It also cautioned that its better for the 
opposition to be given chance to express their views as a good way of 
solving diferrences than using punishment or revenge as means of solution.

It showed that when people are not given chance to express their views could 
creat big enemity incorporating religious beliefs(God). Briefly the song 
called upon political leaders worldwide under the sun (without mentioning 
them) to use wisdom in their daily leadership activities and accomodate 
people opposing their system through Dialogue than punishing them in order 
to maintain global peace.

The song emphasised the importance of "dialogue" in problem solving and 
crystal clear shows how use of power could cause more damage than 
benefit, because more enemies than friends would be made through this 
system.

As the song indicated, "revenge" is paid by "revenge", hence as a result, if 
revenge is used in solving this problem its end product is sustainable 
global terrorism - nobody will be the winner.

"FIRST WE TAKE MANHATTAN" writer is a great thinker, teacher, analyst and 
politician of the third millennium, who has the right to be awarded by global 
community for the good work he did - right vision on conflict solution 
approach -"Dialogue" only.

===============================================================

How do you explain the roots for the hate which were caught in the cry 
of an individual marked "by this birthmark on my skin"?

===============================================================

He meant a mission that must be done at all cost, even if it meant to 
loose life.

A vital revenge believed to originate from God, which could not be forgotten 
by the agrieved person against his/her enemy.

Briefly "Revenge" is the root.

=============================================================

Almost 15 years later, what are your reflections when you watch the 
horror on the TV-screen?

Leonard Cohen's is a scientific politician and linguist who proved to the 
world community through his 5 years Poem that opposition from within and 
outside couldnot be stopped or controlled by military power, however big it 
might be.

Other reflections include the truth that terrorism is very dangerous, hence 
there is vital need for the world community to collect their effort and 
research on this terrific event, why was happened in America and at that 
particular places in order to get permanent solutions than creating more 
dangerous situations eg revenge.

Terrorism must be condemned worldwide, because it claims lives of the 
innocent people and cause great economic damage, as I have seen the horror on 
the TV screen the material day - this was proved.

The reflections also indicated that military power have failed to stop 
terrorism, thats why a powerfull America state with all modern military 
equipment failed even to safe-guard his own military and economic symbols 
at the hands of terrorists.

Hence according to the song my reflections on this issue, I think Leonard 
Cohen's call is to use new approach in solving world problem and thats 
"Dialogue" or diplomatic means and not military or any power because it has 
failed and everybody of us has witnessed what happened to the world 
leader - America.

Reflections end by calling upon all the world community regardless of 
religion, race, and state to join hand against terrorism through scientific 
means not boasting means or revenge.

===============================================================

What would be your message today as sort of advice for both sides of 
this frontline?

==============================================================

For peaceful world, big powers and small nations must respect each 
other and when they get into conflict they must only use "dialogue" to 
solve their differences rather than military use.

The habit of boasting with military/economic power will not create a friendly 
and peacefull world.

Last but not least people in a given community with different views in a 
given political system must be allowed chance to deliver their views than 
punishing them could not create peace, but instead could create great enemity 
which would inturn be dangerous even to the innocent such as children etc.

The world should carry a research to know why America is much followed by 
terrorists than other country of the world, in order to get a lasting 
solution and save people life and economy.

================================================================

... and there are more questions with regard to the great argument: is a 
poem inherently political?

A poem is inherently political. Because it talks about human life. While 
Politics is a form of human life, such as capitalistic political system 
or socialistic political system both are life forms just to mention a 
few. Capitalistic political system values "material" while Socialistic 
political system values "Human being".
The work of any Poem writer under the sun is concerned with feelings or 
imaginative description of human being life. In other words we can say that 
there is no poem without life (Politics) but we can have life (Politics) 
without Poem.
Which means that not all political issues are kept in poem but all "poems" 
are life description.

Thats why "Poem is inherently political"

================================================================

Or does a poem with political intent cease to be poem?

The answer is a big NO.

===============================================================

become rhetoric?

The answer is again NO - poem is not rhetoric as Leonard has
shown us.

===============================================================

Briefly these are my Observations or response to the Leonard Cohen's song.

Lets continue net-working.

Best Wishes

Hamza K.


17.09.01 11:30:45 (MEZ) 
From: paul.black@unn.ac.uk (Paul Black)
To: Radiobridge@aol.com 

see the lyrics of "The Future" the title of the album "First we takeManhattan" is from...

I've seen the future baby, it is murder!!

Paul Francis Black
Senior Lecturer in Computing 
School of Computing & Mathematics
University of Northumbria
tel 2273637
e-mail paul.black@unn.ac.uk
http://cmwww.unn.ac.uk/~paulb/paulhome.html


15.09.01 23:37:34 (MEZ)
From: cameleopard@earthlink.net (Potters)
To: Radiobridge@aol.com

Perhaps you might send a copy of the lyric you are referring to with your request. I am not familiar with it. In any event, my message to people on the "frontlines" is likely to be the same: disarm and go back to your homes in peace. Rage is what got us to this point. More rage will simply make matters worse. Charlie 

16.09.01 18:46:29 (MEZ)
From: cameleopard@earthlink.net (Potters)
To: radiobridge@aol.com

Yes, it sounds like the lyric is very high in coincidental "hits," but really...   Too bad the last verse says "Father's Day" instead of "the anniversary of Camp David."    It seems to me that the possible keys to what L. Cohen was thinking about are two:  the sister, who appears to have had a bad New York experience, and the line of people in the station.  Has anyone had any thoughts about those?  And why Berlin, for pity's sake?   (Answer: because it's poetry.  ??) 

Your pal,  Charlie Nostradamus 
 

A further thought 
16.09.01 21:56:06 (MEZ)
From: cameleopard@earthlink.net (Potters)
To: radiobridge@aol.com

Hi, there. It also occurs to me that there is a song, older than
Cohen's which contains the words "You'll take Manhattan... (, and Staten
Island , too.") in the sense of "you'll conquer the town, you'll be a
hit..." which Cohen was probably binging off of, esp. if he had a sis'
who came here to do that and failed to. Just a thought. Charlie


Quelle / Source: http://www.f25.parsimony.net/forum62399/
Geschrieben von Hermann Josef am 14. September 2001 00:09:17:

Als Antwort auf: Anschlag auf das World Trade Center in New York City, 11.09.2001
geschrieben von partisan am 11. September 2001 17:35:31:

I´ve seen the future brother, it is murder......

Cohen ist mein Begleiter in dieser finsteren Zeit, wo die Doppelmoral regiert.
Kein Mensch trauert um die 64000 KINDER JEDEN TAG an Unterernährung, Krieg, vermeidbaren Erkrankungen sterben. Ich leg "The FUTURE" in meinen Player und träume von einer Welt in der die Liebe bestimmt nicht der Hass, in der die Wahrheit obsiegt nicht die Lüge.
Trauer um die Opfer,,,,,
Trauer um das Leben,,,,,
Trauer um unsere Zukunft,,,,,,

Hass auf die Gier der Menschen das lebendige Leben zu vernichten....

Ich habe große Angst,

Euer SilentObserver


Quelle / Source: http://www.f25.parsimony.net/forum62399/
Geschrieben von Harald als Antwort auf: Re: Manhattan.. what a tradegy 
geschrieben von frstrg7 am 11. September 2001 22:28:19:

Hi,
ja, das klingt interessant. 
Aber die neuen Ereignisse haben mich an die Fassung von Jennifer Warnes erinnert, die ja mit First we take mehr Erfolg hatte als Cohen. Bei ihr fängt "First we take Manhattan mit einem Ausschnitt aus den Radio-Nachrichten an .... <>. An mehr erinnere ich mich nicht. Das deutet darauf hin, dass nicht die Musikindustrie gemeint ist. Obwohl das sicher auch interessanter Ansatz ist.
Um es zuzuspitzen: Der (neue) Begriff "Schläfer", der durch die Medien geistert und die zwanzig Jahre of boredom .... Möglicherweise hat Cohen sich also in die Rolle eines "Revolutionärs", wenn nicht eines Terroristen versetzt?

Grusz,
Harald


Quelle / Source: http://www.f25.parsimony.net/forum62399/
Geschrieben von frstrg7 am 11. September 2001 22:28:19:
Als Antwort auf: Re: Manhattan.. geschrieben von Christina am 11. September 2001 13:04:56:

eine dritte storyline wird die fassungslosigkeit sein, die mit dem heutigen tag, immer mit der Tragödie von Manhattan in Verbindung gebracht werden wird... sorry, dass ich nicht auf deine statements eingehe, aber auch ich bin angesichts dieser schrecklichen tragödie fassungslos. 


Quelle / Source: http://www.f25.parsimony.net/forum62399/
Geschrieben von Christina am 11. September 2001 13:04:56:
Als Antwort auf: Re: Tower Of Song - Cave - Manhattan.. geschrieben von Harald am 21. August 2001 17:50:34:

Hallo, Harald!

Der Künstler hat jedenfalls Einflüsse, die ich nicht kenne und nicht beurteilen kann. Also kann das, was er erschafft, als Gefäß für fremde Gedanken dienen.
>WER ihn zu "twenty years of boredom" verurteilt hat
.. also, "they sentenced" 
-> sie, Mehrzahl, verurteilten, Vergangenheit. Normalerweise Staatsgewalt - Judikative. Konsequenz des Verurteilens ist ein Beschränkung der Handlungsfreiheit.
Schlussfolgerung: Das System; genau dieses, welches er von "innen" verändern wollte; in diesem Zusammenhang (Musik) nicht der Staat, also wohl die Musikindustrie? .. war ihm 20 Jahre lang eine Fessel, und jetzt befreit er sich.
Ihr Einfluss hält ihn nicht länger, und "ihre" Macht über ihn ist auch gebrochen. 
"Ihre" Macht; die Frau - "remember me, I brought your groceries in". (Das ist die zweite storyline, die ich sehe; aber manchmal schimmert durch, dass die beiden doch untrennbar sind) (die Storylines, und die Personen *g*)
Befreit sich in einem Schlag von beiden, dem System, der Frau. Denkt er. Denn die Fesseln erkennen und den Willen haben, sie abzustreifen, heisst ja noch nicht, tatsächlich frei sein. 
 

 
  Transcript of BBC Radio 1 programme about Leonard Cohen
broadcast Sunday 7/8/94
Source: http://www.serve.com/cpage/LCohen/BBCshow.html

Leonard Cohen:
I guess it's legitimate not to like someone's work, but somehow those descriptions of my work got into the computer, you know, there was "suicide", or "bedsit", or "gloom", "depressive", "melancholy", and every time they'd tap out my name those descriptions would come up. You know, as though seriousness had no place in song. The songs we love best are the sad songs.
 
 

THE JEWISH BOOK NEWS INTERVIEW WITH LEONARD COHEN
By Arthur Kurzweil and Pamela Roth / 1994
Source: http://www.serve.com/cpage/LCohen/interview.html

Kurzweil:
There is a line in one of your other songs, "I'm the little Jew who wrote the Bible."

Cohen:
Exactly. You know that line rose spontaneously, and I asked myself whether I wanted to keep it there. But this is the way I feel.

Kurzweil:
When we thought about inviting you to have this conversation and we chose your book to be a selection in the Jewish Book Club, we wondered whether you would object to being identified as a Jewish poet. perhaps you would not want to be "the little Jew who wrote the Bible." But obviously we are hearing something very different.

Cohen:
Oh, I am the little Jew who wrote the Bible. "You don't know me from the wind/You never will, you never did." I'm saying this to the nations. I'm the little Jew who wrote the Bible. I'm that little one. "I've seen the nations rise and fall/I've heard their stories, heard them all/But love's the only engine of survival." I know what a people needs to survive. As I get older I feel less modest about taking these positions because I realize we are the ones who wrote the Bible and at our best we inhabit a biblical landscape, and this is where we should situate ourselves without apology. The biblical landscape is our urgent invitation and we have to be there. Otherwise, it's really not worth saving or manifesting, or redeeming, or anything. Now, what is the biblical landscape? It's the victory of experience. That's what the Bible celebrates. So the experience of these things is absolutely necessary.
 
 

DEMOCRACY
Excerpts of a poem read by Leonard Cohen online
  Source: http://www.worldofpoetry.org/usop/dream6.htm

It's coming through a hole in the air,
from those nights in Tiananmen Square.
It's coming from the feel
that it ain't exactly real,
or it's real, but it ain't exactly there.
From the wars against disorder,
from the sirens night and day;
from the fires of the homeless,
from the ashes of the gay:
Democracy is coming to the U.S.A.

... ...

I'm sentimental, if you know what I mean:
I love the country but I can't stand the scene.
And I'm neither left or right
I'm just staying home tonight,
getting lost in that hopeless little screen.
But I'm stubborn as those garbage bags
that Time cannot decay,
I'm junk but I'm still holding up
this little wild bouquet:
Democracy is coming to the U.S.A.
 
 

 L e o n a r d C o h e n
Link: http://members.aol.com/COHENPoet
Songs & Work Of A Life

Die 1. Webpage über den kanadischen Rock-Poeten Leonard Cohen
in deutsch/englischer Sprache

The 1st webpage about Canadian Rockpoet Leonard Cohen
in German/ English language